Spoilers ahead for episode 16 of Chicago Police Season 10, titled “Deadlocked”.
Jesse Lee Soffer made his triumphant return to Chicago Police with the final episode arriving on March 22, but not in the role longtime viewers are used to. Instead of reprising his role as Jay Halstead, Soffer stepped behind the camera to make his directorial debut in an intense, action-packed hour of television. The episode had as happy an ending as one could hope for when it comes to Deal of the Week, and the actor-turned-director spoke to Gossipify about editing the ending of Deal in the original script and how to portray Halstead. “for so long” paid off.
Voight took sides on “Deadlocked” with ASA Chapman seeking to put drug lord Arturo Morales behind bars despite all his ties to criminals overseas. Unfortunately, Morales’ people got to one of the jurors by attacking and kidnapping her wife, vowing to kill her unless Christopher votes for an acquittal. The complication for Intelligence? As a witness at the trial, Voight was not authorized to lead the intelligence unit in an official investigation.
The unit eventually spared Christopher’s wife enough time for them to vote to convict him, but the ASA Chapman learned of Voight’s covert interference and was not happy that he went rogue over the conviction. The verdict was read in a scene that played music over dialogue instead of spoken words between characters. Speaking with Jesse Lee Soffer about “Deadlocked,” he explained how the ending of the case has changed since the original script:
There was dialogue written in the verdict scene, and then when we edited it, Terry Blythe, who was the editor, who is amazing and an absolute master of editing, he’d been doing it for so long that he had the idea. He said, “I feel like it could play without dialogue.” And I was like, ‘Yeah, you’re right. It’s impressive.’ And then we saw it like this, and I liked the idea, so I have to give Terry all the credit for that.
The verdict scene might have looked very different had Soffer and editor Terry Blythe not gone for a final cut with music instead of dialogue. This is just one example of the kind of decisions Soffer was responsible for as director and before explained how “complicated” the return is in this new role. So how many times did Soffer watch the episode to make changes? The actor/director said:
It’s really tricky because I’ve seen every take of every frame multiple times. [laughs]while we were shooting it too, so hundreds!… The whole episode was done, probably four or five because while you’re editing it, there’s a director’s cut, then an editor’s cut, and then they do the studio . and network notes and stuff like that, so only a handful once it’s fully completed.
Naturally, there was plenty going on in “Deadlocked” leading up to the dialogue-free verdict scene, including footage that would surely show Halstead Once Upon a Time: Intelligence in action to track down a suspect on short notice, and Voight making his way. . through the bad guys to get to a victim. When he was a regular on the show, Jesse Lee Soffer was often the one jumping fences, leaping off rooftops, and chasing bad guys. This time he ordered his co-stars to do it.
In view of the fact that Jesse Lee Soffer entered a directing job with much more experience in the realization of action and acrobatic scenes that the immediate director asked her how he was to embark on this type of scene from the other side of the camera this Now. He shared that it was “so funny” and explained what he was joking about in retrospect:
Finally, you open a gimmick or fight sequence on the page and go, “Oh, my god, do I have to walk around in the mud with this guy today?” Excellent.’ So it was nice to relax somewhere in a warm chair. [laughs]and put Jason [Beghe] through hell. But he was a soldier and a champion. It was really cool because I love that aspect of the show. I love the action of the show and I’d say I know him better than anyone because I’ve played Halstead for so long. So I had to do that a little bit with Voight’s character, and I think we still haven’t made him seem quite capable even ten seasons later. And it was a lot of fun.
If there’s one One Chicago alum who knows how to wallow in mud trying to take down an actor playing a criminal, it’s Jesse Lee Soffer! He was able to enjoy a more comfortable approach to the action scenes for this episode, with his co-stars directing and a little more warmth than if he were in the middle of a stunt sequence during filming. nights during the Chicago winter. . .
Jesse Lee Soffer made sure to congratulate Jason Beghe on his work! The ‘Deadlocked’ director confirmed that he was indeed facing the challenges of a winter in Chicago, saying:
Oh yes. The night sequences of this episode took place in mid-February. It was zero degrees outside, like a negative 10 wind chill. We were working like 2 in the morning. It was brutal. It was totally brutal. Thank you to the cast and crew for making this possible with me, because oh my god.
The magic of television can make some scenes filmed inside appear to have happened outside, but that’s not always the case when it comes to One Chicago on location! Like when Tracy Spiridakos’ stunt double had to go to the Chicago River For him great Upton episode that was filmed in January last year, sometimes the PS the team just has to brave the cold to get the best shots. Also, Marina Squerciati was really into some very tight quarters in episode 200 , although she wasn’t actually trapped in a well in the woods like Burgess was. As Jesse Lee Soffer says: Shit!
Soffer also shared that he’s “definitely open to the experience” of directing the Dick Wolf universe again, saying he thinks “doing this may even make him a better actor” and that “it’s all about storytelling.” Only time will tell if and when he’ll be back behind the camera (or in front to reprise the role of Halstead, if fans are lucky), but for now, viewers will be able to rewatch the “Deadlocked” show with A Peacock Premium Membership .
You can also expect new episodes of Chicago Police Wednesdays at 10pm ET on NBC, after chicago fire at 21:00 and Chicago Mediterranean at 20:00 the three shows of One Chicago they have not yet been renewed for the 2023-2024 TV season (and they haven’t delivered a good ol’ three-show crossover for a while), but the future looks bright for them as some of the network’s biggest hits.
Source: Cinemablend
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